Henry IV, King of France in Armour作品

   小弗朗斯·波卢布斯（1569-1622）是一名 佛兰芒画家，弗朗斯·波卢布斯的儿子，彼得·波卢布斯的长孙。他出生在安特卫普，死在巴黎。他也被称为“弗朗斯二世”。

  波卢布斯为他那个时代许多有影响力的人工作，包括位于布鲁塞尔的荷兰西班牙摄政者、曼图亚公爵和法国女王玛丽·德·梅迪奇。他的作品可以在皇家收藏、华沙国家博物馆、卢浮宫、普拉多、里克萨斯博物馆、皇家艺术学院、大都会艺术博物馆和许多其他博物馆中找到。1 个男人的肖像。Pourbus以其对服装、珠宝和窗帘的描绘而出名 。

  Pourbus最著名的是肖像画，但也创作了1 些历史画。他制造 的肖像画让他的援助 人们满意，但很少为他的作品提供戏剧性的场景，甚至是风景背景。在他的作品中，有1 幅意大利妇女在帕维亚的马拉斯宾纳（Pinacoteca Malaspina）的肖像，被错误地认定为英格兰亨利八世的第二任妻子安妮·博林（Anne Boleyn）。]这1 身份是后来铭文的结果。这幅肖像不管 如何都是在1536年安妮·博林去世几年后绘制的。

 Frans Pourbus the younger (1569–1622) was a Flemish painter, son of Frans Pourbus the Elder and grandson of Pieter Pourbus. He was born in Antwerp and died in Paris. He is also referred to as "Frans II".

Pourbus worked for many of the highly influential people of his day, including the Brussels-based Spanish Regents of the Netherlands, the Duke of Mantua and Marie de' Medici, Queen of France. Works of his can be found in the Royal Collection, the National Museum in Warsaw, the Louvre, the Prado, the Rijksmuseum, the Royal College of Art, the Metropolitan Museum of Art and many other museums.

Pourbus was best known for portraits, but created some history paintings. He produced portraits that were pleasing to his patrons, but rarely providing his works with dramatic situations, or even landscape backgrounds.[3] He is noted for his depiction of costume, jewellry and draperies (as in his portrait of Henry IV of France, below).

Pourbus completed his apprenticeship in Antwerp in 1591. At the end of the 16th century, he worked for Archduke Albert and the Infanta Isabella in Brussels.On 27 June 1600, he was paid for a portrait of the Infanta (see below). This was subsequently presented to Anne of Denmark (wife of James VI and I) by the Ambassador of the Spanish Netherlands and this work remains in the Royal Collection.

In 1600, he was recruited as court painter in Mantua by Vincenzo Gonzaga, Duke of Mantua who met him when Gonzaga was on a visit to the Netherlands buying works of art. Within months of his appointment, Peter Paul Rubens arrived at the Mantuan court, but there is no evidence of hostility between the two. In 1609, Pourbus moved to Paris at the instigation of Marie de Médici (see her portrait below). It was here that he perfected his style. He worked as Marie de Médici's court painter until his death.