油画家李昂出版著作《我的2005》和《漫步北海道——雪》。油画家李昂作品1981年《暮年 》获第二届全国青年美展三等奖，1987年《苗女》获首届中国油画奖，1990年《春之祭》获首届中国油画年展优秀奖，1994年《兰头帕》获第八届全国美展优秀奖。2005年油画《激荡》获第四届中国油画展精品奖、贵州省政府文艺奖1 等奖；2006年掌管 、举办、完成《全国第十七届版画作品展》油画家李昂作品入选国内外美展、发表被美术馆、油画家李昂油画作品近百件发表于国内外众多艺术刊物，并赴美国、加拿大、日本、马来西亚、新加坡、香港、台湾等国家和地区展出。其作品被许多博物馆、画廊、艺术中心及个人收藏。

 1980年油画家李昂《暮年 》获贵州省第二届青年美展1 等奖；

1981年油画家李昂《暮年 》获全国第二届青年美展三等奖；

1983年油画家李昂《悔》获贵州省美展佳作奖；

1987年油画家李昂《苗女》获首届中国油画展中国油画奖；油画《苗女》被大英博物馆收藏；

1989年油画家李昂《战友》获贵州省《时代风采》美展优秀奖；

1990年油画家李昂《春之祭》获贵州油画大展大奖；

广告设计获《东北 民族民间艺术节》二等奖；

1991年油画家李昂《春之祭》获首届中国油画年展优秀奖；油画《四代党员》获贵州省庆祝建党七十周年美展1 等奖；

1994年油画家李昂《蓝头帕》获贵州省庆祝建国四十5 周年美展1 等奖；油画《蓝头帕》获全国第八届美展优秀作品奖；

1996年油画家李昂应美国国家艺术博物馆约请 ，赴美国进行学术交流；

2005年油画家李昂《激荡》获第四届中国油画展精品奖、贵州省政府文艺奖1 等奖；

掌管 、举办、完成《全国第十七届版画作品展》，在贵阳展出，贵州省获得上送数、入选数、获奖数三项全国第1 的优良 成绩；

2006年油画家李昂掌管 举办完成《中国第三届西部大地情全国中国画·油画作品展》

2010年油画家李昂于澳门举办油画展

 追梦:民风民俗民情民族魂——记画家李昂

首先申明，我并不认识李昂。我只是在研讨 中国油画技法时接触到他，我定睛1 看，嗨，本来 还是老乡。我惊喜，由于 我喜欢并欣赏他的画。其功底了得，特别是表现少数民族民风民俗民情，和 服饰等方面有其独到的地方 ，好家伙，是位好画家。

李昂，1954年10月18日生于贵州。从戎7载。1980年毕业于四川美术学院。现为中国美术家协会理事、中国油画学会常务理事、曾任贵州省文学艺术界联合会副主席、贵州省美术家协会主席、国家1 级美术师。由于李昂长时间 居住在少数民族腹地。所以，他的画能够精确 、生动的表达少数民族的力量、精神精髓。在乎 识形状 领域“表达形神兼备”的民族情感，更多的是对少数民族神与情的把握。因而 他的作品多次获奖，不少的作品被国内外众多专家和美术馆及艺术中心收藏 。

李昂热爱这片云贵高原，他能深刻体会这块土地上所蕴涵的民族精髓。其画面内涵：歌颂民族特有的美与婉丽，蕴藏着对民族对历史的沉重沉觉与深刻思考。

他的作品深沉内敛，具有广博丰富的文明 沉淀。在历史的叙事中表现凄婉，在生活的苦难中展现 婀娜的民族风韵风情。不刻意，不浮华，生命力极强。绘画风格，多以女性为主，表达贵州独特的少数民族文明 ，让世界了解贵州和热爱贵州。

以《苗女》油画为代表，虽然只要 1 个人物，但她应当 是全部 苗民族的代表。加上女性意味着哺育，女孩意味着民族的生机。其黑色的基调和中性的着色，诉说着1 个民族的悲情历史。女孩满满的愁容 告诉了我们今天的幸福。她的眼神、面容和身姿似乎显得是那样的松弛、得空 、天真和健美。她的服饰则又是那样的色彩艳丽 、对比强烈。展现 给我们的是苗族的银饰和少数民族的灵魂之美，工艺精湛、图案富于变化，头饰如花、胸饰如贝。项圈的波纹和项锁的钩式，甚少还大概反映了苗族生生不息地生存在苗岭江边的地理环境与他们生产、生活、劳动关系。服饰和银饰全然诠释了1 个民族向世界应当 明朗的审美表达。

我不想过多的品评李昂，不信，你本身 看看他的作品。我在想，我倘若无机 会去贵阳，见上他，我会向他索取1 幅少数民族油画画作作为收藏 ，我置信 我和他定是有缘。由于 ，我们之间应无思想与文明 阻隔。我衷心祝贺 ，他创作道路越走越宽，他的作品在纷繁杂乱 的世界里恒久地带给人们内心的怿动和深层震动 。

 Oil painter Leon published works My 2005 and Walking in Hokkaido - Snow. Oil painter Li Ang won the third prize of the Second National Youth Art Exhibition in 1981, Miao Nu in 1987, Spring Festival in 1990 and Lantoupa in 1994. In 2005, the oil painting "Rise" won the first prize of the 4th China Oil Painting Exhibition and Guizhou Provincial Government Literature and Art Award; in 2006, it hosted, hosted and completed the 17th National Printing Exhibition, and oil painter Li Ang's works were selected into domestic and foreign art exhibitions, published by art galleries, oil painter Li Ang's oil paintings nearly 100 were published in many arts at home and abroad. The magazine has also been exhibited in the United States, Canada, Japan, Malaysia, Singapore, Hong Kong, Taiwan and other countries and regions. His works are collected by many museums, galleries, art centers and individuals.

In 1980, Li Ang, an oil painter, won the first prize in the Second Youth Art Exhibition of Guizhou Province.

In 1981, the oil painter Leon's "Old Age" won the third prize of the 2nd National Youth Art Exhibition.

In 1983, the oil painter Li Ang's "Regret" won the Guizhou Province Art Exhibition Award for his masterpiece.

In 1987, the oil painter Li Ang's Miao Nu won the first Chinese Oil Painting Prize at the China Oil Painting Exhibition, and the oil painting Miao Nu was collected by the British Museum.

In 1989, the oil painter Li Ang's comrade-in-arms won the excellent prize of Guizhou Province's Art Exhibition of "Time Elegance";

In 1990, Li Ang, an oil painter, won the prize of Guizhou Oil Painting Exhibition.

Advertising design won the second prize of Southwest National Folk Art Festival.

In 1991, the oil painter Li Ang's "Spring Festival" won the excellent prize of the First Chinese Oil Painting Annual Exhibition, and the oil painting "Four Generations of Party Members" won the first prize of the art exhibition celebrating the 70th anniversary of the founding of the Party in Guizhou Province.

In 1994, the oil painter Li Ang's Blue Head Pa won the first prize in Guizhou Province's Art Exhibition celebrating the 45th Anniversary of the founding of the People's Republic of China, and the oil painting Blue Head Pa won the 8th National Art Exhibition Excellent Works Award.

In 1996, at the invitation of the National Museum of Art, the oil painter Leon went to the United States for academic exchanges.

In 2005, Li Ang, an oil painter, won the first prize of the 4th China Oil Painting Exhibition and Guizhou Provincial Government Literature and Art Award.

He presided over, held and completed the 17th National Print Exhibition, which was exhibited in Guiyang. Guizhou Province has won the first three outstanding achievements in the country, i.e. the number of submissions, the number of entries and the number of awards.

In 2006, oil painter Li Ang presided over the completion of the Third National Exhibition of Chinese Paintings and Oil Paintings in the West of China.

2010 Oil Painter Leon Holds Oil Painting Exhibition in Macao

Pursuing Dreams: Folk Customs, Folk Customs, National Soul --- A Record of the Painter Li Ang

First of all, I don't know Leon. I just came into contact with him when I was studying Chinese oil painting techniques. I looked closely at him. Hey, I was a fellow countryman. I was surprised because I liked and appreciated his paintings. Its merits, especially the performance of minority folk customs and customs, as well as clothing and other aspects have their own unique, good guys, is a good painter.

Li Ang was born in Guizhou on October 18, 1954. From Rong 7 years. He graduated from Sichuan Academy of Fine Arts in 1980. He is currently the director of the Chinese Artists Association, the executive director of the Chinese Oil Painting Society, the vice-chairman of Guizhou Literature and Art Association, the chairman of Guizhou Artists Association and the first-level artist of the country. Because Lyon lived in the hinterland of minority nationalities for a long time. Therefore, his paintings can accurately and vividly express the strength and spiritual essence of ethnic minorities. In the ideological field, "expressing both physical and spiritual" national emotions is more about the grasp of minority gods and feelings. Therefore, his works have been awarded many times, and many of his works have been collected by many experts at home and abroad, art galleries and art centers.

Li Ang loves the Yunnan-Guizhou Plateau. He can deeply understand the national essence of this land. Its picture connotation: eulogizing the unique beauty and gracefulness of the nation, contains a heavy sense of national history and profound thinking.

His works are deep and restrained, with a wide range of rich cultural precipitation. In the narrative of history, it shows sadness and graceful national charm in the misery of life. Not deliberately, not flashy, strong vitality. Painting style, mostly female, expresses Guizhou's unique minority culture, let the world know Guizhou and love Guizhou.

Taking the oil painting of Miao Nu as the representative, although there is only one character, she should be the representative of the whole Miao nationality. In addition, women mean nurturing, and girls mean national vitality. Its black tone and neutral coloring tell the sad history of a nation. The girl's full smile tells us today's happiness. Her eyes, face and posture seemed so relaxed, flawless, naive and healthy. Her clothes are so colorful and contrasting. It shows us the silver ornaments of Miao nationality and the soul beauty of minority nationalities. They are exquisite in craftsmanship, rich in changes in patterns, and have head ornaments such as flowers and chest ornaments such as shells. The ripple of the necklace and the hook of the necklace reflect the geographical environment of the Miao people living on the edge of the Miaoling River and their relations of production, life and labor. Clothing and silver fully explain a nation's aesthetic expression to the world should be clear.

I don't want to judge Leon too much. Believe it or not, look at his works by yourself. I was thinking that if I had the chance to go to Guiyang and meet him, I would ask him for a painting of ethnic minorities as a treasure. I believe that I must have a destiny with him. Because there should be no ideological and cultural barriers between us. I sincerely wish that his creative path will be wider and wider, and his works will give people a deep shock in the complex world for a long time.